Enjoy!
In honor of Thomas Paine and other Founders & Immigrants. In memory of my daddy Horst Bingel and my mom Irma Bingel
Showing posts with label opera. Show all posts
Showing posts with label opera. Show all posts
Friday, July 17, 2026
Monday, October 27, 2025
Sunday, July 13, 2025
Saturday, February 15, 2025
Thursday, January 02, 2025
Tuesday, December 05, 2023
Friday, June 26, 2020
Montiverdi: L'incoronazione di Poppea "Pur ti miro, Pur ti godo" (Jaroussky, De Niese)
Enjoy!
Text:
Pur ti miro, pur ti stringo,
pur ti godo, pur t’annodo
piu non peno, piu non moro,
o mia vita, o mio tesoro.
Io son tua, tuo son io.
Speme mia, dillo di,
l’idol mio, tu sei pur.
Si mio ben, si mio cor, mia vita, si.
Translation:
I adore you, I embrace you, I desire you, I enchain you, no more grieving, no more sorrow, O my dearest, O my beloved. I am yours, O my love, tell me so, you are mine, mine alone, O my love. Feel my heart, see my love, see.
Lucy Worsley's Nights at the Opera
Very recommendable!
Part 1:
Part 1:
Claudio Monteverdi: L'incoronazione di Poppea (the oldest opera still performed). Giuseppe Verdi: Nabucco (Chorus of the Hebrew Slaves, "Va, pensiero, sull'ali dorate" / "Fly, thought, on golden wings")
Ludwig von Beethoven: Fidelio (Beethoven's only opera)
Part 2
- Puccini: La Boheme
- Wagner: Die Walküre
- Strauss: Salome
Sunday, July 20, 2014
Lessons From Opera Un Ballo In Maschera
Posted: 7/20/2014
Trigger
Lessons
- Giuseppe Verdi had to rewrite the score for his opera because of censors in Neapel and Rome who probably did not like the idea that this opera covered a regicide and an attempt to overthrow an absolute monarchy after the French Revolution and American Independence
- Verdi had to change location and character names from the original Swedish to Italian
- One of the opera’s main characters is a famous, female fortune teller who appears to have been quite influential on Swedish politics during her time, i.e. Ulrica Arfvidsson (She deserves a blog post of her own, see here)
- On 1 January 1955, Marian Anderson (She too deserves a blog post of her own, see here), singing the role of Ulrica, broke the "color barrier" at the Metropolitan Opera, becoming the first African-American vocal soloist to appear with that company.
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